Commentaire De Texte Les Chaises Eugene Ionesco.
Les Chaises: l'ammassarsi delle sedie rappresenta simbolicamente i vani sforzi di due personaggi che tentano di mascherare il fallimento della loro vita a grandi colpi d'illusioni patetiche.. Ionesco e il fantasma del rinoceronte, Roma, Il filo, 2009.
In Ionesco’s fourth play, Les Chaises (pr. 1952, pb. 1954; The Chairs, 1957), the deaf-mute Orator is comparable in his pretentious role to the wordy Professor in The Lesson. While some critics.
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This quest, which is the unifying principle throughout Ionesco's work, is revealed in themes spanning from the entropy of language La Cantatrice chauve, Les Chaises to the sacrificial act of substituting for the ionesco Maximilien Kolbe.
